Past Reviews

Regional Reviews: Philadelphia

The Miraculous Journey of Edward Tulane
People's Light
Review by Rebecca Rendell | Season Schedule

Also see Cameron's reviews of Peaceable Kingdom and Buzzer

Dana Omar and Emily Peterson
Photo by Mark Garvin
Edward Tulane is a large porcelain rabbit with soft fuzzy ears and fancy silk pajamas. Handmade by the finest toy shop in Paris for a sweet girl named Abilene, self-absorbed Edward lives a charmed life until he is accidentally lost at sea. Found, and lost, and found again, Edward sees the best and worst of people living in the United States of the 1930s and '40s. Along the way he learns powerful lessons about longing, pain, love and redemption.

If the idea of a fancy doll traveling cross-country during the Great Depression sounds simultaneously trite and depressing, you are not alone. Just two minutes after the house lights went down at People's Light I assumed I had already seen everything a play like this had to offer. I could not have been more wrong. Before those lights came back up I was deeply moved by complex and tender relationships, surprised by casual cruelty, and completely invested in Edward's story. The Miraculous Journey of Edward Tulane is less about a traveling doll and more about universal experiences of loss and longing. It is about holes in people's lives so deep they might be temporarily filled by a companion made almost entirely of porcelain. And, most of all, it is about the quiet magic of human love.

The ability of the play to transcend its premise lies in part with the excellent cast, all of whom play a multitude of roles and instruments. Charlie DelMarcelle (The Musician) gives a simple and endearing performance as Edward. Reggie D. White (The Man) radiates a sense of friendly warmth as easygoing railroad hobo Bull and is completely devastating in the role of young Bryce. Emily Peterson (The Woman) is by turns friendly, mysterious and vile. Peterson has the uncanny ability to make her characters seem like people you have met before. To say that this cast keeps the action crystal clear despite the rapid fire character changes and the lack of elaborate costumes is an understatement. Every character, no matter how briefly they appear, is rich with nuance, history and motivation. Dana Omar (The Woman) has the unenviable task of playing a couple of children. She rises to the challenge, bringing to life more than one child you will want to wrap your arms around and take home with you.

The Miraculous Journey of Edward Tulane is based on the novel by two-time Newbery Medal-winning author Kate DiCamillo, but director Stuart Carden's production feels mature and polished. Original music by Erik Hellman and Jessie Fisher sets just the right tone and elevates the entire production. The cast are better actors than they are musicians, but that does nothing to diminish the pleasure of watching this unique and whimsical parable.

The Miraculous Journey of Edward Tulane, through June 4, 2017, at People's Light, Leonard C. Haas Stage, 39 Conestoga Road, Malvern, PA. For tickets call 610-644-3500 or visit

The Traveler: Emily Peterson*
The Woman: Dana Omar
The Musician: Charlie DelMarcelle*
The Man: Reggie D. White*

Director: Stuart Carden
Director of Production: Charles T. Brastow*
Set Designer: John Musial
Costume Designer: Rachel Healy
Lighting Designer: Lee Fiskness
Composers/Music Directors: Erik Hellman and Jessie Fisher
Sound Designer: Mikhail Fiksel
Dialect Coach: Eva Breneman
Production Stage Manager: Lauren Bieber*
Line Producers: Zak Berkman and Pete Pryor

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