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Regional Reviews: Phoenix

SpellBound!
Southwest Shakespeare Company

Also see Gil's reviews of The Wizard of Oz, A Year with Frog and Toad, 4 Girls 4, Little Women


Joe Cannon and Janine Colletti
Cymbeline has a reputation as being one of Shakespeare's most convoluted plays, thus making it somewhat difficult to stage and pull off with success. Southwest Shakespeare Company is presenting the world premiere of a new musical adaptation of the play entitled SpellBound!. Many elements that Shakespeare used in his other plays—an evil, power hungry queen, mistaken identities, secret marriages and deadly potions—all factor into this tale of King Cymbeline and his daughter Imogen. While Cymbeline is somewhat dense, it is still an intriguing play that is part tragedy and part comedy and one of my favorite Shakespeare plays. I think this is the fourth production I've seen, but the first time I've seen a musical version of the play. While it isn't a complete success, SpellBound! has many things to recommend it, including a melodic score and a talented and spirited cast. It is a swift moving, easy to follow adaptation that reduces the play to a length of just under two hours.

Presented as a co-production with The Desert Botanical Garden, SpellBound! is being staged in the outdoor event area of the Garden. The outdoor venue doesn't work as well with the settings of the play as last year's co-production Fairy Worlds (an adaptation of A Midsummer Night's Dream). But the whole effect, with the lush gardens surrounding the stage, the mountains off in the distance and an engaging story, still makes for a magical evening.

The basic plot of SpellBound! (and Cymbeline) involves the evil Queen who plans to marry off her step daughter Imogen to her fool of a son Cloten. However, Imogen has already secretly married the low in status Posthumus. Upon learning of this, Cymbeline banishes Posthumus, who then, abroad in Italy, brags of Imogen's virtues and makes a bet with Iachimo concerning Imogen's fidelity. The outcome of the bet sets a jam-packed story in motion, set in England, Rome and Wales, that includes intrigue and false accusations, two kidnapped children, a bit of cross dressing, a beheading and an expansive battle.

Containing almost twenty songs, the folk/soft pop score by Shishir Kurup and David Markowitz includes an abundance of lush melodies played by a fantastic onstage band. While the tunes are varied and the song lyrics advance the plot with both added exposition and character development, some of the lyrics are left lacking in their simplicity; others are too modern, compared to the time period of the piece ("walk the walk and talk the talk" is a glaringly bad one); and some include false rhymes. But while some of the lyrics could be better, the songs still result in an intelligent musical score.

Director Jared Sakren and Michael Flachmann's adaptation is fairly faithful to the original, though a few characters and plot points are removed—none that are sorely missed. Sakren has staged the action fairly well, with a good use of the expansive space; a few key moments are staged on the side areas so everything isn't always set front and center.

Janine Colletti is superb as Imogen, making her three dimensional. She is sweet, endearing, feisty, and full of life, and also gives plenty of emotional lift to her well-delivered songs. Kyle Sorrell brings a perfect sense of urgency to the role of Posthumus and, once the results of the bet are known to him, adds in layers of jealousy, rage, pain, and sorrow. Joe Cannon instills the scheming Iachimo with an abundance of cockiness yet is deeply emotional in his superbly sung confession.

Kathleen Berger is deliciously evil as the Queen, with an excellent singing voice, and Matthew Zimmerer is playfully broad as her buffoon of a son Cloten. As Cymbeline, Tim Blough brings a refined sense of authority to the role while Bob Altizer, Andy Cahoon, and Wyatt Kent are rambunctious as the family Imogen meets in her travels. In smaller roles, Clay Sanderson and Marshall Glass, as the royal court physician and Posthumus's servant, bring plenty of concern and understanding as to what the characters are being asked to do, with their decisions having major impact on the plot.

Jeff Thomson's large set design works well, though it is fairly minimal with just the use of some chairs, tables, and a trunk to set the locales, yet when combined with Michael J. Eddy's expressive lighting it creates an enveloping atmosphere. Maci Hosler's costumes are superb, with excellent designs for each character that complement their status and actions. Also, the vibrant creative elements and Aaron Blanco's fight choreography create a smashing battle of multiple fighting partners amidst puffs of billowing smoke.

While SpellBound! may not be a complete success, it does a fine job in reducing the lengthy plot to one that even someone new to Shakespeare can easily follow. And while the score has its shortcomings, with some additional work on the lyrics I think this version of the Cymbeline story could have a healthy future life.

SpellBound! runs through May 24th, 2015, with performances at The Desert Botanical Garden, 1201 N. Galvin Parkway in Phoenix. Tickets can be purchased at swshakespeare.org or by calling 480-644-6500

Director/Adaptor: Jared Sakren
Stage Manager: David Drescher
Music and Lyrics: Shishir Kurup, David Markowitz
Book: Michael Flachmann, Jared Sakren Music Director: Joshua Martin
Set Designer: Jeff Thomson
Costume Designer: Maci Hosler
Lighting Designer: Michael J. Eddy
Choreographer: Helen Buck
Fight Choreographer: Aaron Blanco
Hair and Makeup Designer: Sasha Wordlaw
Props Designer: Naoko Skala

Cast:
Cymbeline: Tim Blough*
The Queen: Kathleen Berger
Cloten: Matt Zimmerer*
Imogen: Janine Colletti
Posthumus: Kyle Sorrell
Pisanio: Marshall Glass
Cornelius: Clay Sanderson
Lady of the Court: Jordan Letson
Helen: Vanessa Naghdi
Belarius: Bob Altizer
Guiderius: Wyatt Kent
Arviragus: Andy Cahoon
Iachimo: Joe Cannon
Philario: J. Kevin Tallent
A Frenchman: Ryan Glover
A Dutchman: Kaivan Mayelzadeh
A Spaniard: Jim Coates
Caius Lucius: Gary David Keast
A Soothsayer: Kathleen Berger
Ensemble: Aaron Blanco, Jim Coates, Shelby Daeffler, Ryan Glover, Jordan Letson, Brent Mauldin, Kaivan Mayelzadeh, Ashley Miller, Vanessa Naghdi, Bobby Shook, Clay Sanderson, J. Kevin Tallent, Kevin Wathey, Matt Zimmerer*
Tree Dancers: Alexandra Ashby, Kristin Bennett, Helen Buck, Jamie Gillian, Meghan Huber, Alexis Plevel, Laura Seifert

*Member, Actors' Equity Association


Photo: Mark Gluckman

--Gil Benbrook


Also see the Current Theatre Season Calendar for Phoenix