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Regional Reviews: San Francisco Next Fall Also see Richard's reviews of I and You and Emily Bergl and Patrick's review of Gypsy
At first it seems the play will be about the sad restriction of "family only" in too many hospitals, that impacts any live-in partner, and especially gays; certainly this theme is enough to earn the play its political stripes. But in a series of flashbacks we travel to five years ago, to learn how Adam and Luke met and became involved, and then partners. We also learn that Luke is a devout conservative Christian, who prays before meals and believes in the Rapture to come. Adam, a confirmed atheist, is at first amused by Luke's beliefs; then somewhat fascinated; then annoyed by them. Religious belief is one of the reasons Luke hasn't come out to his parents, and therefore can't reveal the truth about his relationship with Adam. This has a number of consequences, including in the hospital. Without spoiling the show, it's safe to say that there's a lot of negotiating that must happen in order for everyone to move forward. Ultimately, each character confronts their own limits and beliefs, and travels through cathartic change before show's end. But these serious themes belie the fabulous wit of the show; Nauffts has a wonderful ear for humorous dialogue, and director Kristen Brandt knows how to get the most out of it. It will have you laughing out loud throughout; and then leave you to soberly reflect on the questions left lingering in the ether. Scheie is brilliant as Adam, perfectly self-deprecating and insecure, while at the same time smart and funny and filled with wonder at the love dropped in his life. Scheie is always good, but this role allows him to light up the stage. He's well-matched by Shonkwiler, whose warm portrayal of Christian Luke is carefully calibrated for believability and honesty. He's sweet, serious, and fun, and has excellent chemistry with Scheie. Harker and Carpenter are also fantastic as Luke's divorced parents, each capturing a "type" but making them real and beautifully nuanced. Carpenter's character is quite different from his usual roles, giving him a chance to show his amazing range. Gates and Tasker shine in their supportive roles as well, showing depth and authenticity. Annie Smart's stunning set design deserves mention, for its beauty and clever moving parts that create many different locales and looks. Dawn Chiang's lighting helps define areas, and also exquisitely captures mood. Director Brandt and her team have created a gorgeous, tautly-paced and superbly acted production, with an evocative story for our time. Next Fall, by Geoffrey Nauffts; in its Bay Area premiere by San Jose Repertory Theatre, 101 Paseo de San Antonio, San Jose; through November 10, 2013. Tickets $29 - $74; at www.sjrep.com or 408-367-7255.
- Jeanie K. Smith |
