Broadway Reviews
True to its 19th century origins, Jane Eyre is a lavish Victorian banquet of emotions; passion, cruelty, revenge, repression, courage, emotional and physical abuse, faith and forgiveness, and love - most of all the eternal healing power of an all-consuming love. Jane's story is that of a plain yet spirited girl, orphaned at an early age, who becomes governess at Thornfield Hall, where she falls in love with Edward Rochester, the master of the house. Though Jane's sharp wit and defiant nature clash with Rochester's temperament, the two quickly develop a deep bond. But, Rochester's past, a dark secret imprisoned at Thornfield, threatens to destroy their love just as it begins, as it ultimately destroys Thornfield Hall itself.
Jayne Patterson makes a significant contribution to the production in the small but pivotal role of Helen Burns. Elizabeth DeGrazia's Blanche Ingram is everything it needs to be, and more. Stephen R. Buntrock delivers a well developed character in his brief turn late in the show as St. John Rivers. And Bruce Dow, as Robert, and Don Richard, as Mr. Brocklehurst, have an impact which exceeds the size of their roles. Mary Stout as the hard of hearing, dithering Marigold is a pure delight. Walking the fine line between cliché and true character, her performance is one of both great humor and artistic integrity.
With Jane Eyre, Marla Schaffel joins that small group of great stars of the American musical theatre - Angela Lansbury, Julie Andrews, and Bernadette Peters - who, lady-like to the core, can effortlessly carry a major musical on their delicate shoulders and enchant an audience with a smile. If this show has a down side, it's the physical production. John Napier's technical design for the stage machinery may be innovative and groundbreaking - indeed scenery was flying all over the place in a smoothly choreographed dance at the performance I attended - but, alas, to little effect. Between all those spinning window and topiary units, projections which failed to give a sense of spectacle, the disappointing burning of Thornfield Hall effect, and what looked to be a large paper-mache tree left over from a tour of Camelot, it was difficult not to laugh at inappropriate moments. Jules Fisher and Peggy Eisenhauer's lighting design only seemed to contribute to the mess. Andreane Neofitou's costumes, while appropriate and well designed, didn't help much either. The direction, by John Caird and Scott Schwartz, wildly swings between just plain flat and the curiously derivative.
Pictured left to right - Lisa Musser (Young Jane), Marla Schaffel (Jane Eyre), and Jayne Patterson (Helen Burns). Jane Eyre Book and additional lyrics by John Caird. Music and lyrics by Paul Gordon. Directed by John Caird and Scott Schwartz. Scenic design by John Napier. Costume design by Andreane Neofitou. Lighting design by Jules Fisher and Peggy Eisenhauer. Sound design by Mark Menard and Tom Clark. Associate scenic design Keith Gonzales. Assistant director Jayne Patterson. Projections design by John Napier, Lisa Podgur Cuscuna, Jules Fisher and Peggy Eisenhauer. Musical director Steve Tyler. Orchestration by Larry Hochman. Starring Marla Schaffel, James Barbour and Mary Stout. Theatre: Brooks Atkinson Theatre, 256 West 47th Street Running time: 2 hours and 45 minutes including one 15 minute intermission Schedule: Tuesday through Saturday at 8 PM, Wednesday and Saturday at 2 PM, Sunday at 3 PM. Audience: Children under 4 are not permitted in the theatre. Ticket prices: $50 - $86 Tickets online: Ticketmaster Tickets by phone: Ticketmaster at (212) 307-4100 Tickets in person: Box Office hours Monday through Saturday 10 AM to 8 PM, Sunday Noon to 6 PM. |